Part 4
Jess spends happy days helping Leslie’s family — her writer parents, Bill and Judy — fix up their old house, even painting a room shining gold. Working beside Leslie’s warm, book-loving family, Jess feels valued in a way he never does at home. Then, at Easter, Leslie joins the Aarons family for a church service. Afterwards the children talk about the story of Jesus: Leslie finds it beautiful but says she does not believe it, while May Belle insists you must believe the Bible — leaving Jess thinking hard about belief.
| Focus | What It Means |
|---|---|
| Character | Leslie’s loving, book-filled family |
| Religion & Culture | The Easter church visit and questions of belief |
| Theme | Different families, different beliefs |
| Chapter | Key Events |
|---|---|
| Ch.7 | Jess helps paint the Burkes’ living room gold and grows close to Leslie’s family |
| Ch.8 | Leslie attends an Easter church service with Jess’s family; the children discuss belief afterwards |
There are no wrong answers here — just think, guess, and talk:
- Have you ever helped paint or fix up a room? How did the room — and you — feel afterwards?
- A good friend disagrees with something your family believes. What do you say — and what do you NOT say?
- Predict: why might a golden room matter so much to a boy who loves to paint?
This is an independent study guide created by Garden Heights Academy to support reading comprehension and literary analysis. It contains original analysis questions and does not reproduce any text from the novel. Bridge to Terabithia is a work by Katherine Paterson. This guide is not affiliated with, authorized by, or endorsed by the author or any associated rights holders. Students should read the original book, available from libraries and booksellers.
Leslie’s parents earn their living as writers, and their home overflows with books and ideas instead of a television. To Jess, raised where reading is a luxury, this household feels like another world. It is part of why Leslie is so imaginative — and why Jess feels his own mind opening when he is with her family. Leslie’s parents are writers who fill their home with books and conversation instead of a television. Studies link a book-rich, talk-rich home to stronger imagination and reading — part of why Leslie arrives with a whole inner world Jess has never been offered. Character study centers on Leslie’s loving, book-filled family. Religion & Culture: The Easter church visit and questions of belief. In the story Leslie finds the church service beautiful but does not believe it is literally true, while May Belle believes it completely.

ⓘ The vocabulary words in this list are selected to help you understand and complete this workbook. Some may not appear verbatim in the original novel.
These chapters look outward at families and beliefs. The sequence shows how warmly the Burkes treat Jess, and how the Easter visit leads the children to very different ideas about the church story. Notice that the book presents these views fairly, without telling readers what to think. Chapter 7 covers Jess helps paint the Burkes’ living room gold and grows close to Leslie’s family. Chapter 8 covers Leslie attends an Easter church service with Jess’s family; the children discuss belief afterwards. Jess spends happy days helping Leslie’s family — her writer parents, Bill and Judy — fix up their old house, even painting a room shining gold. Working beside Leslie’s warm, book-loving family, Jess feels valued in a way he never does at home. The contrast does the work: two houses, two kinds of attention, and a boy learning to feel the difference.
- They paint a room a shining gold.
- Jess helps the Burkes fix up their house.
- Leslie joins the Aarons family for Easter church.
- Afterwards the children discuss the story of Jesus.
- Jess feels close to Leslie’s warm family.
Leslie’s family is a foil to Jess’s — a character or group set against another to highlight differences. The contrast between the warm, bookish Burkes and Jess’s busy, hard-pressed family shows what Jess most longs for. Paterson also uses the Easter scene to raise the theme of belief and imagination. History — the farm family: hand-me-downs, one good pair of shoes, no spare money — the novel captures real 1970s rural poverty. Arts — a talent nearly missed: Jess’s gift for art is overlooked at school until his music teacher, Miss Edmunds, sees it — how one adult can change a child’s path. Then, at Easter, Leslie joins the Aarons family for a church service. Afterwards the children talk about the story of Jesus: Leslie finds it beautiful but says she does not believe it, while May Belle insists you must believe the Bible — leaving Jess thinking hard about belief.
At Easter, Leslie, Jess, and May Belle each hold different views about religion. Ask yourself how friends can respect one another even when they believe very different things. The story models listening and wondering, rather than insisting that only one view is allowed. Leslie’s parents are professional writers who value books, ideas, and time together, and worry little about money. Jess’s family works long, hard hours on the farm and rarely has time to talk. Comparing the two homes shows different kinds of love — and helps us understand what Jess longs for and finds in the warm, welcoming Burke household. In Chapter 8, Leslie joins Jess’s family for an Easter service. Easter is the most important holiday in Christianity, one of the world’s major religions; Christians remember the death and, they believe, the resurrection (return to life) of Jesus Christ. That is set down as a fact about what Christians hold, not a claim about what is true — the fair way to hand a young reader somebody else’s faith.
Walk down almost any old street and you may spot a house being brought back to life: ladders at the windows, fresh paint on a shabby porch, someone hauling a century of dust out the door. To restore an old house is much more than cleaning it. Workers begin with the structure — the beams and walls that hold the building up — because no coat of paint can save a house whose bones have failed. Only then come the repairs, using materials chosen to match the originals: real wood, old-style nails, glass with a gentle wave in it.
Tearing a house down and building new is usually faster — so why do families and whole towns pour such effort into old buildings? Because a building carries its history in its boards: the craftsmanship of hands long gone, the marks of every family that lived there. And restorers discover something else: the work can transform the workers. People who sand, hammer, and paint side by side finish with more than a house — they finish as a team. Sometimes it takes no more than one room painted a bold, glowing color, and the whole house — and everyone in it — seems to brighten and turn welcoming.
“Yet the reward is a home with a past, something a brand-new building can never have.”
This writing task is optional and is not part of your auto-graded score. The feedback below checks only the basics — length, spelling, and grammar — not whether your ideas are right or wrong. It is meant for classroom discussion and creative practice, so feel free to use your imagination!
Writing Task — Part 4 “A Different Family”
Jess discovers that Leslie’s family lives very differently from his own. Write about a family, tradition, or belief that is different from yours, and what you learned from it — or what you would like to ask about it. Be respectful and curious. Write at least 40 words.
No right or wrong — close the screen and tell someone nearby what happened in this part. Can’t find anyone? Tell yourself out loud. The moment you teach it, you truly understand it.

Part 4 Complete!
You finished Chapters 7–8 of Bridge to Terabithia.
Here are your auto-graded results:
The best last step is to teach it. In your own words, explain what happened — retell a favorite scene, teach a character’s big choice, or sum up the main idea for a parent, friend, or classmate. When you can teach it clearly, you truly own it.
Independent study guide by Garden Heights Academy. Not affiliated with or endorsed by the author or any rights holders. Contains original analysis only; no text from the novel is reproduced.
