Part 7
Arrested and escaping through a blackout, Lina rejoins Doon and Poppy to start down the hidden way out.
Arrest and defianceChapter 16 catches Lina at the worst moment: city guards seize her and march her to the Gathering Hall, where Mayor Cole tells her that asking questions about the storerooms is dangerous and disloyal, and that she is going to the Prison Room. She does not apologize.
Rooftop SingingBefore the guards can move, Ember's lamps fail — and in the confusion Lina escapes not through the door the guards are watching but upward, onto the roof, where she hears the city below begin the Singing: the songs of the city, of the river, and of the darkness.
Down toward the wayChapter 17 crosses to Doon, waiting alone at the Pipeworks with a candle, sick with not knowing. His note to his father says only that the way out is found, lies below the city, and will be known tomorrow. Then Lina appears out of the dark with Poppy in her arms — Doon too relieved to mention the extra weight — and with the reconstructed instructions, the three start down toward the hidden way beyond Ember.
| Section | What you will practice |
|---|---|
| Vocabulary | Code and departure words: decipher, fragment, reconstruct, defiance, provisions… |
| Literary Elements | Alternating chapters, the Singing as ironic counterpoint, and a blackout that both traps and frees |
| Cross-Curricular | Codes and ciphers — rebuilding a message from fragments |
| Ch. | What happens |
|---|---|
| 16 | The Singing — guards seize Lina and march her to the Gathering Hall, where Mayor Cole calls her questions dangerous and disloyal and threatens the Prison Room; the city’s lights fail, she slips away upward to the roof, and from there hears Ember sing its old songs about the city, the river, and the dark. |
| 17 | Away — Doon waits alone at the Pipeworks with a candle, leaves a note telling his father the way out lies below the city, and is too relieved to argue when Lina appears carrying Poppy; following the reconstructed instructions step by step, the three go down toward the hidden way beyond Ember. |

ⓘ The vocabulary words in this list are selected to help you understand and complete this workbook. Some may not appear verbatim in the original novel.
- Lina reaches Doon at the Pipeworks with Poppy.
- Mayor Cole threatens her with the Prison Room.
- A blackout drops the hall into darkness.
- From the roof she hears the city begin the Singing.
- Guards seize Lina and march her to the Gathering Hall.
Think back over these chapters. A girl is held by the arms in the Gathering Hall while a large, calm man explains that her questions are a danger to the city and that a locked room is waiting for her. Then every lamp in Ember dies at once, and in the noise and shuffling she goes up instead of out, up a stairway to a roof, where the lights come back and the whole city below her begins to sing the songs it sings every year. Somewhere across the dark, a boy sits alone by a tunnel entrance with a candle and a repaired page, writing a note to his father because he cannot say goodbye out loud. He does not know whether she is free. When she comes, she is carrying her sister.
Messages do not always arrive whole. Anyone who studies the past spends much of their life reading fragmentary evidence, with gaps exactly where the important words should be. Scholars can often reconstruct such texts, building the lost words back from clues — and not by inspiration. The method rests on a plain truth about language: writing repeats itself, so certain letters appear far more often than others and place names sit in predictable positions. A gap is never quite empty, because the surviving text around it limits what could ever have stood inside it.
The clearest example is Linear B, a script from Crete unread for half a century. In the early 1950s the architect Michael Ventris set out to decipher it: he counted symbols, sorted them by position, and noticed that certain words shifted their endings in regular ways. He also had a crib — a guess he could reasonably expect to be true. Several long words appeared only on tablets from one site each, so they were probably place names like Knossos. Feeding those guesses into his grid produced sound values, and the sound values produced a startling hypothesis: the language was an early form of Greek.
A hypothesis, however, is not yet an answer. Ventris tested his readings on tablets he had never used to build them, and ordinary words came out sensibly in Greek. When a newly excavated tablet listing three-legged vessels matched his sound values, scholars agreed that fresh material had begun to corroborate the guess, supporting it from a direction he had not chosen. That last step separates a solution from a story: check a guess against everything you did not use to make it, and keep the reading only while it works.
This writing task is optional and is not part of your auto-graded score. The feedback below checks only the basics — length, spelling, and grammar — not whether your ideas are right or wrong. It is meant for classroom discussion and creative practice, so feel free to use your imagination!
Writing Task — Part 7 “Half a Map”
Lina and Doon act on a page with words missing. Write about a time you had to decide or act with incomplete information — unfinished instructions, half a story, advice that stopped short. What did you actually know, what did you guess, and how did you check the guess? 6–10 sentences. End with what you would want to know before deciding that way again.
No right or wrong — tell someone nearby what happened in this part. Can’t find anyone? Tell yourself out loud. The moment you teach it, you truly understand it.

Part 7 Complete!
You finished Chapters 16–17 of The City of Ember.
Here are your auto-graded results:
The best last step is to teach it. In your own words, explain what happened — retell a favorite scene, teach a character’s big choice, or sum up the main idea for a parent, friend, or classmate. When you can teach it clearly, you truly own it.
Independent study guide by Garden Heights. Not affiliated with or endorsed by Jeanne DuPrau. Contains original analysis only; no text from the novel is reproduced. Reference text: This workbook follows Jeanne DuPrau’s classic text (the standard Puffin edition sold worldwide). Revised 2023 UK editions change some wording and may not match the vocabulary studied here.
